Those who knew Colman Domingo from ’Fear The Walking Dead’ still know. Here are the details on his upcoming Netflix cat-and-mouse series.

The 'Euphoria' Emmy winner plays a television pundit whose proximity to the death of a high-profile white supremacist leads to wrongful accusations and an unraveling plot.

Colman Domingo delivers a modern-day "The Fugitive"-style paranoid thriller with Netflix's new limited series "The Madness." The "Rustin" and "Euphoria" star takes on the role of Muncie Daniels, a lauded CNN commentator who finds his spotlight turned against him when he stumbles onto the dead body of a high-profile white supremacist and winds up getting framed for the crime.

There’s just one problem: while Domingo acquits himself just fine as an increasingly frenzied man on the lam, “The Madness” itself is a schlocky mess, its pulpy appeal dimmed by a drawn-out runtime and attempts at social commentary that fail to find their mark.

Apologies to star Colman Domingo, but the ever-changing villains, dated takes on politics and nonsensical set up make this show just about unwatchable.

Like the paranoid notions that drive their protagonists, conspiracy thrillers are constantly shifting. The genre is remarkably malleable; the '60s, '70s, and '80s produced some of the form's best -- "The Manchurian Candidate,

The actor plays a TV pundit who finds himself framed for the murder of a white nationalist in Stephen Belber’s Netflix series.

Colman Domingo is that A-lister, and his magnetism is the glue holding together Stephen Belber’s The Madness, premiering Nov. 28,, whose enticing twists are undermined by a considerable amount of filler and much talk about race,

The limited series from Stephen Belber invokes paranoid vigilance, but doesn't always lean into the possibilities.

So those two films in particular were the ones that stuck with me. So I totally see why Colman Domingo would liken his new series to the Academy Award-nominated spy film. I can also understand why he’d be thinking about the greatness that is Sydney Pollack’s Three Days of the Condor.