Two Irish television writers discuss their participation in the European-wide VR writers' room, Words Across Europe.

Oasis remain one of the most influential bands in modern music. Here’s why their return to the stage still feels historic.

Writer-Director Gemma Creagh sat down with HeadStuff to talk about her directorial debut, Conveyance, a horror-comedy short about a couple trying to navigate Ireland’s housing market. After viewing a ...

Thomas Caffrey reviews Celine Song's mis-marketed rom comMaterialists, which features little romance and even less comedy.

It’s a tale as old as time. Children in need of a father. A mother in need of support. Both arrive in the form of a tall, dark stranger. He arrives in town preaching the Good Word. Humble and pious, ...

It’s a tale as old as time. Children in need of a father. A mother in need of support. Both arrive in the form of a tall, dark stranger. He arrives in town preaching the Good Word. Humble and pious, ...

It’s a tale as old as time. Children in need of a father. A mother in need of support. Both arrive in the form of a tall, dark stranger. He arrives in town preaching the Good Word. Humble and pious, ...

Split between five chapters over a hefty three-hour run time, Matthias Glasner’s drama Dying (Sterben in the original German) details the lives and partial demise of the aptly named Lunies, a ...

Split between five chapters over a hefty three-hour run time, Matthias Glasner’s drama Dying (Sterben in the original German) details the lives and partial demise of the aptly named Lunies, a ...

Split between five chapters over a hefty three-hour run time, Matthias Glasner’s drama Dying (Sterben in the original German) details the lives and partial demise of the aptly named Lunies, a ...

Split between five chapters over a hefty three-hour run time, Matthias Glasner’s drama Dying (Sterben in the original German) details the lives and partial demise of the aptly named Lunies, a ...

Roger Ebert once called cinema a sort of empathy machine. It’s a phrase that the English critic Mark Kermode is exceedingly fond of, returning to it time and again on his weekly podcast. It is also a ...