The voice – confident, throaty and resonant as a church bell – is unmistakable. “I never needed a microphone when I was on Broadway,” Ethel Merman announces from offstage. A moment later she’s in ...
Add articles to your saved list and come back to them any time. It could have gone two ways for Simon Morley, one half of the duo behind long-running comedy show Puppetry of the Penis. After selling ...
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